Operating out of the gritty, industrial club circuit of Liège, Belgium, Nick-All is Ten Fathoms' direct pipeline to the European underground — a DJ, beatmaker and live electric bassist bridging deep analog grooves and the high-voltage energy of modern drum & bass.

The Liège Pipeline

In a city known for its heavy, unapologetic electronic scene, Nick-All learned to engineer sound specifically for the warehouse. He isn't interested in the polished gloss of mainstream EDM; his currency is sub-bass, breakbeats and soundsystem pressure. Driven by his mantra of "Love and Bass," he builds tracks that demand to be felt in the chest before they are heard in the ears.

The Sonic Architect

What sets Nick-All apart in the crowded European bass scene is his musicality. As a trained electric bassist, he understands the crucial pocket of a groove — a skill that aligns exactly with the heavy reggae and dub foundation of Ten Fathoms Records. He doesn't just program beats; he plays the low end, infusing aggressive digital basslines with warm, human rhythm.

That duality lets him mutate traditional reggae and dub into aggressive 174 BPM dancefloor anthems. Whether he's dropping original jump-up cuts like his breakout single "Sting," or rewiring Ras Dave's heavy roots vocals into peak-time club weapons, Nick-All operates at the exact intersection of Kingston soundsystem culture and European rave energy.

The Global Movement

As the European arm of Ten Fathoms, Nick-All takes the label's rich, organic catalog and translates it for the 3:00 AM crowd — pushing the Ten Fathoms sound beyond the traditional reggae market and into the global music arena.